Side-by-side comparison of Gucci Spring 2016 and Valentino Pre-Fall 2025 collections. Features a black leather jacket adorned with embroidered floral and snake motifs from Gucci and a soft pink dress with delicate floral embellishments and layered ruffles from Valentino

Alessandro Michele: A Decade of Storytelling Through Gucci and Valentino

Compare Alessandro Michele's approach to embellishments in Gucci Spring 2016 and Valentino Pre-Fall 2025 collections

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Alessandro Michele has left an indelible mark on the fashion world by blending intricate craftsmanship with bold, narrative-driven design. His nearly decade-long journey between Gucci and Valentino showcases not only his artistic growth but also his ability to adapt his signature approach to different brand heritages. By comparing Gucci’s Spring 2016 Ready-to-Wear collection and Valentino’s Pre-Fall 2025 collection, we can observe how Michele’s creative philosophy evolves while remaining rooted in craftsmanship, particularly in embellishments and embroidery.


A Decade of Evolution

Michele began his tenure at Gucci in 2002, initially designing handbags, before being appointed creative director in January 2015. His debut transformed the brand, introducing a whimsical, eclectic aesthetic that became a hallmark of his leadership. After leaving Gucci in 2022, Michele took the helm at Valentino, debuting his first collection, Pre-Fall 2025, which seamlessly integrated his artistic vision into Valentino’s storied couture legacy.

Gucci Spring 2016 Ready-to-Wear: Playful Romanticism

Gucci Spring 2016 collection highlights embroidered animal and floral motifs, including snakes, birds, and ladybugs, along with trompe l’oeil effects and bold ruffled designs on colorful fabrics

Gucci’s Spring 2016 collection reflected Michele’s continued reinvention of the brand, emphasizing individuality and storytelling through rich embellishments and playful design details.

Craftsmanship Highlights:

  • Embroidered Appliqués: Key elements included floral, insect, and animal motifs, embroidered onto jackets, blouses, and skirts, adding texture and whimsy.

  • Trompe l’Oeil Effects: Sequin embroidery created illusions of collars and bows, enhancing the sense of playful sophistication.

  • Textures and Prints: While vibrant prints added a bold visual backdrop, embroidered details remained a focal point, elevating the designs.

Tone and Aesthetic: The collection embraced romantic eclecticism, combining vintage-inspired silhouettes with contemporary motifs. Embroidery was used as both decoration and narrative, tying into themes of nature, nostalgia, and individuality.

Valentino Pre-Fall 2025: Opulent Maximalism

Close-up of Valentino Pre-Fall 2025 designs showcasing intricate embroidery on velvet and silk, featuring floral and butterfly motifs adorned with sequins, crystals, and beadwork

At Valentino, Michele embraced the house’s couture heritage, pushing his vision of embellishment into grander, more opulent territory. The Pre-Fall 2025 collection marked a dramatic shift in tone, reflecting Valentino’s legacy of luxury.

Craftsmanship Highlights:

  • Intricate Floral Embroidery: Delicate floral motifs, enhanced with metallic threadwork and bead detailing, were key decorative elements across garments.

  • Metallic and Crystal Embellishments: Gold threads and crystals added a sense of opulence, aligning with Valentino’s couture identity.

  • Textural Layers in Fabrics: While not fully three-dimensional, some floral appliqués created visual depth, particularly when layered over textured fabrics.

Tone and Aesthetic: The collection reflects a sophisticated maximalism, with embroidery and embellishments serving as primary elements to convey luxury and craftsmanship.

Comparing Two Eras of Michele’s Craft

The nearly ten-year gap between these collections highlights Michele’s artistic evolution, but the core elements of his design philosophy remain intact. Both collections showcase his love for storytelling, historical references, and the transformative power of embellishment.

  • Tone:

    • Gucci Spring 2016: Playful, romantic.

    • Valentino Pre-Fall 2025: Bold, dramatic.

  • Key Techniques:

    • Gucci Spring 2016: Embroidered appliqués and trompe l’oeil effects.

    • Valentino Pre-Fall 2025: Gold threadwork, intricate floral embroidery, and crystal embellishments.

  • Motifs:

    • Gucci Spring 2016: Florals, animals, and whimsical symbols.

    • Valentino Pre-Fall 2025: Renaissance-inspired designs, intricate floral patterns, and ornamental embellishments.

  • Craftsmanship Focus:

    • Gucci Spring 2016: Light, narrative-driven detailing.

    • Valentino Pre-Fall 2025: Elaborate, couture-level embellishment.

At Gucci, Michele prioritized playful and accessible embellishments, reflecting the youthful energy of the brand’s reinvention. At Valentino, he embraced a bolder, more luxurious approach, adapting his aesthetic to align with the house’s couture identity.

The Importance of Craftsmanship

While Michele’s collections differ in tone, they share a consistent dedication to craft. At Gucci, embroidery and appliqués added whimsy and romance, often serving as conversation starters rather than centerpieces. In contrast, at Valentino, embroidery became the heart of the collection, emphasizing the grandiose heritage of the brand. This adaptability showcases Michele’s ability to honor tradition while redefining it for modern audiences.

Through Gucci and Valentino, Alessandro Michele has demonstrated that craft is not just a technique but a language of storytelling. Whether through playful appliqués or opulent embroidery, his work bridges past and present, celebrating heritage while pushing boundaries. The nearly decade-long span between these collections underscores his artistic growth and his unwavering commitment to the transformative power of design.


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Ksenia Semirova: UK based hand embroidery artist

Written By

Ksenia Semirova

MA Textiles

An experienced hand embroidery and textile artist based in Hove, UK. Professionally practicing since 2021, mastering various techniques.

Also a fine artist and visual researcher, exhibiting her works across the UK and internationally.

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